Current Events

Monday, August 25, 2014

20 Feet from Stardom; Afternoon of a Faun: Tanaquil Le Clercq; Art Is… The Permanent Revolution; At Berkeley; La Danse – Le Ballet de l’Opera de Paris; Dumbstruck; Frankie & Alice; The Grand Budapest Hotel; Hateship Loveship; How Much Does Your Building Weigh, Mr. Foster?; The Lego Movie; Monkey Business; Never Stand Still: Dancing at Jacob’s Pillow; Noah; The Railway Man; Traffic; Transcendence; and We Cause Scenes: The Rise of Improv Everywhere



20 Feet from Stardom   2013   90 minutes   I was just finishing college when rock and roll was taking off and then I went to sea for three years.  Somehow I never bought into it and I don’t think I appreciated it at all until I saw this film.  The film is about backup singers, virtually all African American and graduates of years of gospel singing in their churches.  I still have no interest in listening to songs being shouted at me in words that are unintelligible, but I was fascinated at the richness and inventiveness of the sounds created by the women who stood behind the stars.  Some eventually made it on their own, but those who didn’t can look back on years of making beautiful music that enriched what was happening in front of them but was unappreciated on its own.
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Afternoon of a Faun: Tanaquil Le Clercq   2013  91 minutes    This was originally shown on the American Masters series on PBS.  It’s a documentary of the rise of Tanaquil Le Clercq to being a principal dancer for the New York City Ballet until she was struck down by polio while on tour in Germany.  She never danced again but she lived a full life until she died at 71 in 2000.  She was married to George Balanchine from 1952 to 1969.  It’s not a pleasant film, but it is an interesting part of the history of ballet in the 20thC.  You can see the whole film or shorts of LeClercq at: 
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http://www.pbs.org/wnet/americanmasters/episodes/tanaquil-le-clercq/biography-and-photos-of-tanaquil-le-clercq/3048/
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Art  Is… The Permanent Revolution   2012   Three contemporary graphic artists, Sigmund Abeles, a painter and etcher; Ann Chernow, a painter and lithographer; and Paul Marcus, a wood block cutter,  reveal how art has been used to promulgate social progress throughout history and its role in such change today. Between discussions of Goya, Picasso, Rembrandt and other painters, the trio creates three new works, which are then printed by master printer James Reed.  Their themes are pretty grim: torture, suicide bombers and a cemetery.  Among other things, one can learn a little about printing processes.
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At Berkeley   2013   244 minutes    My vote is to require all college administrators to watch the whole thing.  It’s a documentary that exposes tensions over rising tuition and slashed budgets.  My own take is that faculty and students should recapture universities from the administrative staff and turn them back into educational institutions.
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La Danse – Le Ballet de l’Opera de Paris   2009   158 minutes    This is long and a bit tedious, but it does give an amazing behind the scenes view of the dedication and hard work it takes to create the magic of ballet on stage.  One sees the behind-the-scenes view of rehearsals, performances and ephemeral moments of the dancers, choreographers and others that make up the creative troupe inside the Palais Garnier.  I was particularly interested in the rather manipulative management style of Brigitte Lefevre, Director of Dance, and the opportunity in the film to see the Chagall ceiling at the Opera Bastille.  The film contains brief scenes from the following ballets:  Genus, Casse Noisette, Le Songe de Medee, Paquita, Romeo & Juliette, La Maison de Bernada, and Orphee et Eurydice
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Dumbstruck   2010  85 minutes   Here in Washington we’re accustomed to hearing the very rich speak to us through our (their) politicians, but this film is about old fashioned stage ventriloquism.  Ventriloquists from all over the country get together once a year in Kentucky to perform for each other and swap stories and information about possibilities for performing.  It looks like a fun party, but it has its sad side because so few performers can make a living doing what they love to do.  The film is a documentary that follows five performers: a truly gorgeous young woman who just wants to make it big enough to hit the cruise ship circuit; a young guy age 13 who hopes for a career; a crabby old New England lady who performs for people who really need cheering up – she’s amazingly inventive – but neglects her own finances; a guy in his 40s who made it to the cruise ship circuit and spent so much time away from home that his wife divorced him; and Terry Fator who made it BIG.    Fator’s story is the happy one.  When he first went on stage at American Idol, you could see the faces of the judges all looking like they were prepared to be bored.  Then his puppet started to sing, and he blew them away.  He won the contest and then got a gig in Las Vegas that was so successful that he was signed to a $100 million five year contract and was given his own personal stage set.  The guy can really sing.  I wonder if someday he’ll just forget about the puppet.
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Frankie & Alice   2014   101 minutes   I had a little trouble following this so I cribbed this quote from Wiki almost verbatim: “ Frankie (Halle Berry) is a black woman with dissociative identity disorder, caused by a traumatic incident from her childhood, which she has repressed.  She has two alternate personalities: Genius, a seven-year-old child; and Alice, a Southern white racist woman, whom Frankie struggles to overcome.  With the help of Dr. Oz,her psychiatrist (Stellan Skarsgard), Frankie strives to live a life close to normal.”  Her I.Q.  sometimes measured 151 and sometime much lower.  It’s based on a true story.   I don’t claim any credentials as a critic, but Halle Berry blew me away as she moved among her personalities. 
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The Grand Budapest Hotel   2014  100 minutes   From the previews I had expected to see Bill Murray on screen for more than 30 seconds, or was it a minute and 30 seconds?  Gustave H (Ralph Fiennes) is the concierge at a prestigious European hotel and the occasional lover of many of the rich women who stay there from time to time.  One of the women leaves him a valuable painting when she dies, but the family will not acknowledge the bequest, so with the help of his protégé, a lobby boy named Zero, he steals the painting.  Inside the cover on the back of the painting is a new will that leaves everything to Gustave.  All hell breaks loose.  Along the way we learn that the concierges of the great hotels all know each other and form a network that can do almost anything.  It’s all great fun, but the producers chose to shoot the movie in a really ugly hotel.
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Hateship Loveship   2013   102 minutes    I was curious to see if Kristen Wiig, one of my favorite comedians, could act in a drama.  She can.  She plays a dowdy caretaker who is hired to look after an elderly lawyer (Nick Nolte looking really old) and his granddaughter.  Wiig is attracted to the girl’s father, an ex-con and junkie, who has just bought a rundown motel in Chicago.  He’s not even allowed to stay overnight in his father’s house.  He’s the one who hired Wiig, and she  writes him a note to thank him.  The daughter’s friend Edith offers to mail it but instead writes an answer herself and suggests they correspond further on the internet.  A romance blossoms but only in the mind of Wiig.  She leaves her job and goes to the motel in Chicago.  The first thing she learns is that the father has never been on the internet.  This is a movie so you can imagine how it turns out.
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How Much Does Your Building Weigh, Mr. Foster?   2010  79 minutes   I thought I knew a bit of art history, but I had never hear of Norman Foster.  The question in the title came from his friend, Buckminster Fuller.  Foster developed a huge practice with over 3000 employees and built innovative buildings all over the world.  Google him.  The pictures of his work will blow your mind.
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The Lego Movie   2014   101 minutes   First you have a computer animated movie about a young guy trying to stop his evil mayor from ruining the city, and then you are suddenly in a tract house basement with a huge Lego city.  The father, Will Ferrell, is about to glue everything together to make it permanent.  His son persuades him not to on grounds that that would stifle creativity.  If they took the city apart, they could make all sorts of other interesting things.  It’s a good point, I guess, but another good point is that you might not want to see every Will Ferrell movie.  Ferrell does speak English throughout.
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Monkey Business   1952  96 minutes   It doesn’t hurt once in a while to go back 60 years if it’s to see Cary Grant.  He’s a wacky professor who may have invented a youth serum.  It’s fun except for Ginger Rogers who seems to have been carved out of wood.
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Never Stand Still: Dancing at Jacob’s Pillow   2011  Jacob's Pillow is a dance center, school and performance space founded by Ted Shawn and located in Becket Massachusetts.  It is known for the oldest internationally acclaimed summer dance festival in the United States.  In the film there are clips of Merce Cunningham, Paul Taylor, Suzanne Farrell, Mark Morris, Judith Jamison and Bill Irwin talking about and sometimes demonstrating their work.  A film to see if you are interested in dance.
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Noah   2014   137 minutes   It just couldn’t have been any worse.  What a waste of Russell Crowe and Jennifer Connelly!
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The Railway Man   2014   118 minutes   This film is based on the story of Eric Lomax, who was captured in Singapore by the Japanese at the beginning of WW II and taken north to work on the railroad the Japanese were building across Thailand.  It’s the one that crosses the River Kwai.  His horrible tortures in captivity by the Kempetai included water boarding.  He recovered physically but never escaped the nightmares.  On a train he meets Patti, a recent divorcee played by Nicole Kidman, and soon they become a couple and marry.  Lomax met periodically with other survivors of the RR and at one meeting he sees a newspaper article that shows one of his torturers, Takashi Nagase, in Thailand giving tours of the Kempetai compound and the RR.  Patti encourages Eric to go to Thailand and find Nagase.  Unlike the horrible incident in Unbroken, where the guard who tortured Louis Zamperini and other Allied prisoners refused to acknowledge any regret, Nagase finally admits his role and expresses his regrets.  Nagase and Lomax reconciled and became lifelong friends.
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Traffic  2000   147 minutes  This centers around a newly appointed federal drug czar, who finds out his own teenage daughter is an addict.  It won four Oscars, was nominated for best picture and the cast includes Don Cheadle, Benecio del Toro (Oscar for best supporting actor), Michael Douglas as the czar, Luis Guzman, Dennis Quaid and Catherine Zeta-Jones.  It’s all a little too predictable and kind a drags through too many minutes.

Transcendence  2014   119 minutes   Up until now I would have said that I would see any film that had either Johnny Depp or Morgan Freeman.  From now on I’ll be more careful.  Depp and his wife are computer scientists working to advance artificial intelligence.  They are opposed by an anti-technology organization, R.I.F.T. that is trying to prevent them from creating a world where computers can transcend the abilities of the human brain.  The anti-tech people shoot Depp and as he lies dying his wife uploads his brain into a computer.  From there he continues to run his lab and continue his research.  He begins to reach too far and the powers that be create a virus that will stop him and also shut down the internet and the whole technological world.  For the rest, read Wiki.
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We Cause Scenes:  The Rise of Improv Everywhere   2013  85 minutes   Who knew that New York City, until recently the stop and frisk capital of the world, could be such a tolerant place.  Yesterday I read in the Washington Post that buskers here in Washington are not allowed to play within 15 feet of Metro property and even if they are outside 15 feet they may not accept tips.  In New York the authorities pretty much leave them alone if they don’t play in places where their music will interfere with people’s ability to hear loudspeaker announcements.  I guess that permissive attitude is why Improv Everywhere was able to thrive in the City.  Charlie Todd, Improv’s creator, narrates this film.  He started with an action on the subway.  He and a number of his friends got on the train one by one without acknowledging each other.  They took off their pants and just stood or sat there as if nothing unusual had happened and surreptitiously filmed the whole thing.  There was an attractive girl sitting there who kind of got the idea of what was going on.  (She and Charlie are now married).  They spent a lot of time figuring out what else they could do and the group got a lot larger.  One of their best was a hypnotism prank that totally took in the crowd that had gathered to watch in Washington Square.  When You-Tube came along and social media started to metastasize, the group grew to over 3000 and was imitated worldwide.  A lot of what they did was in the category of flash mobs, but some of their actions were more complex.  One of the networks picked them up to do a TV series, but it never got beyond the pilot stage.  You can see the network footage on You-Tube.  It’s just a great story of someone having fun and making a career out of mocking our uptight society.

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