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Wednesday, July 23, 2014

Blackthorn; Butch Cassidy and the Sundance Kid; The Recruit; Saving Mr. Banks; Tony Takitani; Winter’s Tale; and Zulu Dawn



Blackthorn   2011   102 minutes   After my brother and I saw the Butch Cassidy artifacts in the Montrose museum, we watched Butch Cassidy and the Sundance Kid again; then we gave this a try.  It’s about 20 years after the big shootout and Cassidy, played by Sam Shepherd, is living on a small ranch in Bolivia with a local woman, whom he loves.  He decides he needs to visit his daughter in the US and sets off.  He gets tangled up with a con man and it all ends badly, although he survives and rides off toward the mountains.  Along the way Sundance shows up as some sort of local official.  They are no longer best buds.  When it was over we looked at each other and said “Why didn’t you say something?”
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Butch Cassidy and the Sundance Kid.   1969   110 minutes   This was just as good as it was the first time.  Newman was at his magnetic best.  Redford not so much, but that was the character he was playing.
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The Recruit   2003   114 minutes   Colin Farrell is recruited for the CIA by Al Pacino and assigned to training at the Farm.  From the beginning he’s manipulated by Pacino, who’s running an operation that will let him walk away with some serious money.  That’s a spoiler, and I wouldn’t have put it in if it hadn’t been obvious from the start.  This one is a great ride.  Lots of tradecraft.
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Saving Mr. Banks   2013   125 minutes   Tom Hanks is Walt Disney trying to get the rights to Mary Poppins from its curmudgeonly author, P.L. Travers, played curmudgeonly by Emma Thompson.  It turns out that the eight books were influenced by Travers’s childhood experiences in Australia, including loss of her father, Travers Robert Goff, to alcoholism.  Travers’s childhood is shown in flashbacks, in between Disney’s efforts to get her to agree to his vision of Mary Poppins.  This may be a first – a film about making a great movie that’s even better than its subject.  Hanks and Thompson are magic, and there’s that Colin Farrell again as the charming but sometimes abusive Goff.
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Tony Takitani   2004   75 minutes   I got this from Netflix because it was based on a story by Haruki Murakami, an author I really admire.  I can’t really recommend it.  Watching it you might think this is some weird Japanese thing as unintelligible as Noh Drama, but my Japanese spouse was as baffled as I was.  Tony was an only child raised by housekeepers – his mother died early and his father was always on the road playing his trombone.  Because of his western first name, Tony really had no friends growing up and became a loner as an adult until he met and married Eiko.  It was his first experience with love and he was happy until Eiko’s insatiable desire to buy more and more clothes began to wear on their relationship.  Then she died.  He sinks back into loneliness.  There’s one interesting effect that I had never seen before except that red dress in “Schindler’s List.”  The film is shot in almost black and white – sometimes there’s a hint of color.  I’d have to watch it again to see if the color paralleled Tony’s moods.
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Winter’s Tale   2014   118 minutes    This is a fairy tale.  Colin Farrell plays Peter Lake, a thief who breaks into the home of a beautiful redheaded consumptive girl and falls in love with her.  Unfortunately Lake is on the outs with Pearly, the local crime boss who trained him, because he decided to go into the theft business on his own.  Pearly, played by Russell Crowe, just happens to be a devil who reports to Lucifer, Will Smith.  Pearly tries to snatch the girl to draw Lake in, but instead Lake rides in on his white guardian angel horse and snatches her away and takes her to refuge in the country.  Lucifer arranges to have her poisoned, and Lake returns to NYC.  He and his horse meet up with Pearly on the Brooklyn Bridge.  Lake tells his horse to fly away.  Pearly smacks him in the head four times and throws him into the river.  It is 1916.  Lake survives but has amnesia and wonders around New York for the next hundred years.  Then there is another redhead and it all begins again with Pearly.  Fortunately the horse is there to help out with flying and all that.  I had mixed feelings about this, but decided it was O.K. to enjoy a fairy tale.
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Zulu Dawn   1979   113 minutes   Movie making has come a long way since 1979.  Despite having a cast of outstanding actors, the action seems wooden and the little bits and pieces of human interest have become clichés.  On the other hand I was blown away by the director’s ability to move huge groups of people around through the invasion of the Zulu lands in 1879 and the battle that followed.  The Zulu won, but it didn’t end well for anyone.  Sometime I must look up what happened to Lord Chelmsford, the arrogant British commander played by Peter O’Toole, who thought he was going to chastise the Zulu and instead got his forces massacred.

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