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Sunday, September 1, 2013

Bon Voyage; The Company You Keep; On the Road; Oz the Great and Powerful; To Rome with Love; Trance; and Uprising



Bon Voyage   2003   115 minutes   Gerard Depardieu looks pretty good in this one as a minister in the French cabinet when the Nazis take Paris.  Isabelle Adjani is gorgeous and convincing as a manipulative actress who can bend almost any man to her will.  It’s a lavishly appointed farce that brings together more than one story, including one about a professor trying to escape from France with some large bottles of heavy water.  For details google Ebert’s review in 2004.
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The Company You Keep   2012   121 minutes   Robert Redford plays Jim Grant, a small town lawyer, whom a journalist identifies as a long sought terrorist who many years ago participated in a bank robbery in which one person was shot to death.  As the journalist turns up more of Grant’s old contacts, there seem to be some doubts about his guilt.  Meanwhile Grant searches for a woman who took part in the robbery who could exonerate him but would have to implicate herself.  That woman is played by Julie Christie who is still looking good.
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On the Road   2012  124 minutes    This is based on Jack Kerouac’s Beat Generation novel of the same name.  It’s not very good, and now I’m wondering about the novel, which I read so long ago that I can’t remember anything about it.  I hope it was better than the movie.
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Oz the Great and Powerful   2013  130 minutes   In this Wizard of Oz prequel, circus magician Oscar Diggs is magically transported to the Land of Oz, where he deals with three witches and uses his illusionist skills and resourcefulness to become the wizard the residents have been hoping for.  James Franco is sort of OK, but frankly this film is not very good.  The most interesting thing on the disk was the Bonus Feature, which had a lengthy discussion of Walt Disney’s desire to film the Wizard of Oz.  There’s footage from all sorts of Oz related Disney productions but no mention of MGM’s 1939 version with Judy Garland, for my money the gold standard of Oz films.
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To Rome with Love   2012   112 minutes   Midnight in Paris is still my favorite Woody Allen film, but this one comes close.  Woody cuts back and forth among four unconnected stories.  (1) He plays a guy retired from the music business, who directed a couple of experimental operas in New York, i.a., Rigoletto with all the singers dressed up as white rats.  He’s in Rome with his wife to meet his prospective son-in-law and his parents.  He hears the son-in-law’s father, played by Fabio Armiliata,  singing arias in the shower and tries to persuade him to go for an audition.  It turns out he can only sing in the shower, and the producer of Rigoletto takes it from there.   (2) Jesse Eisenberg plays a young architect living with his girlfriend and very much in love.  Her friend, played by Ellen Page, shows up to spend a few days with them.   You know crazy things are going to happen.  She is an actress between parts.  Jesse falls for her and they make plans for all the traveling they’re going to do together.  He’s about to tell his girlfriend that it’s over when Page gets a phone call with an offer of a part in L.A. and Tokyo.  Alec Baldwin plays a sort of imaginary character who keeps showing up and giving Jesse advice.  (3) A young couple arrives in Rome from the small town where they have just been married.  He’s there to interview for a job arranged by his uncles.  After they check into the hotel, the wife goes off looking for a hair dresser.   He’s in the room when a hooker played by Penelope Cruz barges in and says she there to satisfy his every desire.  There doesn’t seem to be any way to persuade her that she’s got the wrong room, and she already has his shirt off when the uncles and their wives barge in.  He improvises and passes Cruz off as his new wife.  Meanwhile the real wife gets lost and ends up watching a movie being shot in the street.  She gets invited to lunch by the male lead and then to bed.  They’re about to have at it when a burglar comes in and then the wife with a bunch of detectives.  (4) Roberto Benigni plays a clerk who one day finds himself surrounded by paparazzi.  Somehow someone has decided he’s famous for being famous.  He sort of enjoys it, but it only lasts a few days and then someone decides that someone else is famous.  Benigni  gives it his all.  Why can’t we see more of him?
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Trance   2013  110 minutes   James McAvoy plays an art auction employee with a gambling problem who conspires with a gangster to steal a Goya painting.  There are wheels within wheels in this psychological thriller plus some unplanned mishaps which complicate things further.  During the robbery, McAvoy gets smacked in the head and wakes up in the hospital with amnesia.  He can’t remember where he hid the painting, and a hypnotist played by Rosario  Dawson is hired by the gangsters to help him retrieve his memory.  Dawson is incredibly good looking, and seems to be a caring therapist, but that doesn’t keep her from double crossing everyone, just like the other players.
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Uprising   2001   180 minutes    This is partly based on a memoir of Marek Edelman, one of the survivors of the Warsaw Ghetto.  I have seen a number of films on this subject.   Schindler’s List maybe the best, but this one is right up there.  Of particular interest to me were the battle scenes, as the Nazis tried to invade the ghetto.  Jon Voight plays the German general who fails in several attempts and is relieved of his command.  Equally effective were the scenes of the escape through the sewers of some of the survivors, including Edelman.

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