Current Events

Monday, December 23, 2013

1492: Conquest of Paradise; Bright Star; Guys and Dolls; Hey Boo: Harper Lee & To Kill a Mockingbird; Hysteria; Ladies in Lavender; Man of Steel; Oscar and Lucinda; Robot and Frank; and Superman/Shazam!: The Return of Black Adam



1492: Conquest of Paradise   1992   150 minutes   Gerard Depardieu plays Christopher Columbus.  At first he tries to get along with the Native Americans he finds on the Caribbean islands and then he doesn’t and then he doesn’t get along with anyone.   The movie is as sad as the real story.  You can skip it.
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Bright Star   2009   119 minutes   This recounts the love affair of the poet John Keats and Fanny Brawne in the last year or two of Keats’s life.  Fanny’s outfits, which she sewed herself, were no doubt authentic for the period, but one could wonder why anyone would wear something that looks that uncomfortable.  The movie was boring.
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Guys and Dolls   1955   149 minutes   After reading about Frank Sinatra in T. J. English’s Havana Nocturne ©2008, it made his role as Sky Masterson all the more believable.  I think I enjoyed the film as much as I did 58 years ago, even though almost every element of the plot now feels like a cliché.  When I was copy boy at the Denver Post even longer ago than that, the old guy who was the model for Damon Runyon’s Harry the Horse used to come in to ask me for the racing results, or at least that’s who the guys on the copy desk told me he was.
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Hey Boo: Harper Lee & To Kill a Mockingbird   2010  81 minutes   This is a documentary on Harper Lee and her incredible first and only novel.  I think I remember she had 11 turndowns before she found a publisher.  Since I read the book and saw the movie about 50 years ago it was nice to see some clips along with explanations of their significance.  Lee was not a recluse, but early on she stopped agreeing to interviews.  Apparently journalists could be as annoying then as they are now.  There are some clips from an interview with Lee’s 97 year old older sister who has a voice that could remove paint.  One among many things in the documentary is the idea that it’s difficult for a writer to continue writing when his or her first work is a masterpiece.  There’s no place to go but down.  
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Hysteria   2011  99 minutes   I guess I would watch any film with Maggie Gyllenhaal, especially one that says in the opening credits:  “Based on a true story, really.”  In London in the 1880s many were saying that 50% of women were suffering from hysteria, and there were many doctors treating them even though no one could say exactly what hysteria was.  In this film a young doctor named Mortimer Granville has trouble keeping a job.  In the opening scene he gets fired from a hospital for washing his hands, accepting germ theory and wasting money by changing bandages.  He takes a job as an assistant to a Harley Street doctor who specializes in treating female hysteria.  All the doctor does is discreetly give his patients a massage which results in an orgasm.   Many patients ask if they can come more than once a week.  Granville learns the technique and is doing well until he lets Gyllenhaal, one of the doctors daughters, bring a woman to the office to have her broken ankle set.  She is one of the women housed at the settlement house Gyllenhaal manages and not the sort of person one sees on Harley Street.  He gets fired.  His friend and sort of patron tinkers with electricity and together they accidentally invent the vibrator.  Granville and his friend demonstrate it for Gyllenhaal’s father and the three of them get rich, in Granville’s case rich enough to buy the settlement house buildings and marry Gyllenhaal.
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Ladies in Lavender   2004   103 minutes   Director Charles Dance based his screenplay on a short story by William J. Locke.  From the very beginning Dance had hoped to get Maggie Smith and Judi  Dench to play the principal roles.  Two sisters, one a widow the other a spinster, who live in a house on the coast of Cornwall, find a young man (Daniel Bruhl) washed up on the beach.  He is unconscious, and they call some men to carry him into their house.  When the doctor comes he finds Bruhl also has a broken ankle.  He is Polish and speaks some German but no English.  The two sisters care for him through his convalescence, and Judi Dench, the spinster, falls improbably in love with him.  Both sisters want to keep him there, but that is not to be.  He is a first rate violinist, and a German woman who is there for the summer spirits him away.  Bruhl, who had never held a violin before, goes through the motions so well that it’s hard to believe that what you are hearing, is actually Joshua Bell.
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Man of Steel   2013  143 minutes   I had just finished reading Larry Tye’s Superman ©2012, when I saw this film.  It’s consistent with the whole 75+ years of the Superman story and expands the back story on the planet Krypton.  Apparently sending the baby Kal El to Earth was illegal, but his parents did it anyway, and along with him they sent an object containing the DNA of the home planet.  Just before Krypton blew up, rebel general Zod and his crew were sentenced to an eternity in a prison in a black-hole.  Naturally they have now escaped and want to get their hands on that DNA to recreate Krypton and displace the earthlings.  The DNA and everything Superman needs to know about his past are in an 18,000 ton object buried under the tundra.  A hologram of his father, Russell Crowe, explains everything.  Then it’s up to Superman to deal with Zod.  There are lots of famous actors in this thing, but they could have been better employed elsewhere.  Still, it was sort of fun.
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Oscar and Lucinda   1997   132 minutes     The film is adapted from Peter Carey's novel  which won the Booker prize in 1988.  A feminist Australian heiress named Lucinda (Cate Blanchett) and Oscar, (Ralph Fiennes) a British missionary first meet on a ship bound for Australia.  Both are addicted to gambling.  Once in Australia where Lucinda has bought a glass factory with her inheritance to protect her independence, she builds a pre-fab glass church for a remote settlement.  She bets Oscar that he can’t transport it there overland.  He does get there, but things don’t turn out as planned.  Perhaps they both lose this wager.

Robot and Frank   2012   89 minutes   Frank Langella, who did such an amazing job in Frost/Nixon, plays a retired cat burglar living alone in a small town and maybe just beginning to experience a little dementia.  His son, who makes a 10 hour round trip drive every weekend to check on him, gives him a caretaker robot.  At first Frank rejects the robot but soon finds it to be a good housekeeper and cook.  As they get to know each other, Frank begins to train the robot to help him in his old profession.  The robot is willing, because as Frank’s caretaker, the robot thinks a project like planning a robbery will be good for the old man’s mental health.  I loved this film.
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Superman/Shazam!: The Return of Black Adam   2010  62 minutes  I didn’t know what this animated film was but I took a look on Netflix just for completeness sake.  It was a comic book.  The big surprise was that Billy Batson/ Capt. Marvel made an appearance to help Superman fight off Black Adam, a space alien with powers equal to theirs and a moral code which was just the opposite.  I remember that as a kid I preferred Capt. Marvel because he wasn’t totally invulnerable, and his alter ego, Billy Batson, was a regular kid, unlike Clark Kent, who was a wimp. I also remember being disappointed when Capt. Marvel disappeared after DC Comics sued Marvel Comics for copyright infringement.  DC comics managed Superman carefully so that they were able to keep going for 75 years and to avoid censors and plain old moral outrage about violence by maintaining certain standards, including never killing his opponents.  The other three “stories” in this comic book were just the opposite.

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