Current Events

Sunday, September 1, 2013

42; Honeydripper; An Invisible Sign; Shadow Dancer; Sunshine; and Vinci



42   2013   128 minutes   Recently I read a review of Lee Daniel”s the Butler, which said it was the first serious civil rights film of our era and expressed a hope that there would be more.  Apparently the writer hadn’t seen 42, as perfect a civil rights film as anyone could ask for.   Harrison Ford as Branch Rickey may be his greatest role, although it’s hard to watch him playing an old man.  He’s supposed to be young forever.  Chadwick Boseman , who plays Jackie Robinson,  was new to me, but he does a creditable job.   Alan Tudyk as Ben Chapman, the Philadelphia manager, launches an extended diatribe at Robinson, which sets the standard for bigotry.  I think it’s important that people hear that to understand how far we have come since 1947.
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Honeydripper   2007   123 minutes   Danny Glover plays Pine Top Purvis, a piano player who left the circuit because he didn’t want to die alone in an Arkansas hotel, and became the owner of a juke joint in Harmony, Alabama in the early 1950s.  When the debts pile up, he hires Guitar Sam for a special performance to try to save his business.  When Sam doesn’t show up – he rarely does – Pine top asks Sonny Blake, a young drifter played by Gary Clark, Jr., to fill in.  The kid plays an electric guitar, which was new to everyone in Harmony, and he is a sensation.   Glover’s problems are over.  There are lots of those: his lien holder who wants to take over the place, the redneck police chief who looks at Pine Top and all other blacks as opportunities for extortion, and a competing club that has stolen away his clientele with more “up to date” music.  What the kid brings is rock ‘n roll, before it was really called that.  John Sayles, the director, based Guitar Sam on a real character, Guitar Slim.  Apparently aspiring young musicians all over the south got their first big gigs impersonating no-show Guitar Slim.  This film didn’t get very good critical reviews – one faulted it for stereotyping 1950s blacks and whites – and that’s a valid criticism, but I liked it anyway, perhaps because the whole cast is so strong.
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An Invisible Sign   2012   95 minutes   This is one of the strangest movies I’ve ever seen.  Jessica Alba plays Mona, a mathematician’s daughter, who is traumatized  around age 10 when her father becomes mentally ill.  She isolates herself in a world of numbers and when we meet her as an adult she is still hiding there.  When she is asked to teach math classes at the local grade school, she discovers that her gift for math can be the route back from emotional exile.
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Shadow Dancer   2012   96 minutes    Collette, a single mother and career IRA terrorist, is captured after an abortive bombing in London and faces an excruciating ultimatum. She can either turn against her lifelong compatriots or go to prison for life and be separated forever from her son.  Eventually she breaks and reveals to Clive Owen an operation that involves members of her own family.  When the operation goes bad, the local IRA leader suspects she is the leak.  This was a set up by another intelligence unit to protect their own source by drawing attention to Collette.  Things really don’t work out for anyone.  An interesting film and very dark.  
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Sunshine   1999  180 minutes   Ralph Fiennes portrays father, son and grandson, Ignatz, Adam and Ivan, in a story that follows the efforts of the Sonnenscheins, a Hungarian Jewish family to survive anti-Semitism through three generations.  The family fortune was based on a liquor business developed from a formula that was brought to Budapest by a 12 year old boy from his village which had been destroyed in a pogrom.  He was Ignatz’s father.  Ignatz is a judge, who agrees to change his surname to something less Jewish in order to advance.  Adam wins a gold medal in fencing at the 1936 Olympics and is beaten to death in a prison camp.  Ivan becomes a policeman in the security service of the Communist government that took power after WW II.  While the film is fiction, many of its events are based on real events and some of its characters have elements of real people.  I don’t know how many more films I want to see that include the holocaust, but I’m glad I saw this one.
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Vinci   2004   108 minutes   Cuma, an incorrigible thief, is suddenly furloughed from prison on health grounds.  Apparently the furlough was arranged with the prison doctor by Fatso, who had a contract with a western businessman who wanted to acquire Leonardo da Vinci's Lady with Ermine.  Fatso hired Cuma to steal it from the Czartoryskich Museum for one million Euros and a fake passport.  Cuma persuades Julian or “Cricket,” a former accomplice who has since become a policeman, to work with him again.  The movie has scams within scams and everybody wins except four businessmen who thought that had bought the original.  Cuma was able to steal the original in an ingenious way, but returned it after the copies were sold.  In one of the last scenes the granddaughter of Hagen, the forger, chides him for being in too much of hurry.  “We sold four but we could have sold ten.”  (I suspect Hagen stopped at four because the antique walnut chest he bought to get the aged walnut panels for the paintings had only four drawers).  Cuma ends up with 4 million Euros in his bank account and voluntarily goes back to prison to finish the last year of his sentence so that afterwards he can stay in Poland and just enjoy being rich.

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